Entertainment

‘I’m not doing this’: Sujoy Ghosh reveals the ‘dancing condom’ scene that made Juhi Chawla reject Jhankaar Beats | Bollywood News

3 min readMumbaiFeb 12, 2026 08:06 AM IST

Sujoy Ghosh is now widely recognized as a master of thrill, a filmmaker who always has a few twists up his sleeve. He wields these twists not just as plot devices but as a crutch to expose deeper moralities. But there was a time when he was anything but a thriller-maker. Even then, Ghosh was fascinated by human relationships, though he approached them with humor. Comedy was his tool; wit was his signature. This was the period when he made his debut feature, Jhankar Beats, which arrived just two years after Dil Chahta Hai. The film was refreshingly unconventional, effortlessly blending fun with maturity. Ghosh pulled off a major casting coup, bringing together Juhi Chawla, Sanjay Suri, and Rahul Bose, while Vishal-Shekhar’s music helped put the film, and the composers, firmly on the map.

However, in an exclusive conversation with SCREEN, Ghosh revealed that Juhi Chawla initially rejected the film after hearing its premise, possibly due to the adult humor it contained. “She read the script, she was shocked. She said, ‘I’m not doing this.’” When asked about her reason for saying no, Ghosh explained that she had an issue with one particular scene.


Juhi Chawla Juhi Chawla had an issue with one of the scenes in the film.

“So there was this scene where Deep (Sanjay Suri) is not having a good day. Lots of tension at the office, and he’s unable to crack the advertisement they are working on. His mother-in-law is also staying with him, and the new baby is on the way. He has a dream that Shanti (Juhi Chawla) has delivered, and the baby has arrived. But when he picks up the baby, the baby has the face of his mother-in-law. And suddenly, he realizes there’s something very bright behind him. He turns, and he sees this giant fluorescent condom, dancing, telling him, ‘Had you used me? Aaj yeh din dekhna nahi padta.’ (You shouldn’t have to see this day). So Juhi said, ‘If this scene is there, I’m not there.’ So we removed the scene.”

Also Read | Arshad Warsi offered to audition for Dawood Ibrahim’s role in D-Day, Rishi Kapoor believed he was the right choice, recalls Nikkhil Advani

Watch the new episode of Cult Comebacks on Jhankar Beats, here:

In the same conversation, Ghosh also reflected on the joy of working with Juhi, despite her initial hesitation. “Juhi was probably the saviour of the film. She was the star we needed to make the film happen. Without her, we wouldn’t have got the film. And without Shanti, her character, I would have never made the film. Because Shanti was, again, you know, my early Vidya Bagchi (referring to the character of Vidya Balan from Kahaani).”

The film was recently screened at Mumbai’s Kala Ghodha festival where Sujoy Ghosh, Sanjay Suri, and Shayan Munshi were also present. Suri said at the festival that Jhankaar Beats is unlikely to be made now as “legal teams would first read the script and flag the condom references immediately”.

Anas Arif is a prolific Entertainment Journalist and Cinematic Analyst at The Indian Express, where he specializes in the intersection of Indian pop culture, auteur-driven cinema, and industrial ethics. His writing is defined by a deep-seated commitment to documenting the evolving landscape of Indian entertainment through the lens of critical theory and narrative authorship.
Experience & Career
As a core member of The Indian Express entertainment vertical, Anas has cultivated a unique beat that prioritizes the “craft behind the celebrity.” He has interviewed a vast spectrum of industry veterans, from blockbuster directors like Vijay Krishna Acharya, Sujoy Ghosh, Maneesh Sharma to experimental filmmakers and screenwriters like Anurag Kashyap, Vikramaditya Motwane, Varun Grover, Rajat Kapoor amongst several others. His career is characterized by a “Journalism of Courage” approach, where he frequently tackles the ethical implications of mainstream cinema and the socio-political subtext within popular media. He is also the host of the YouTube series Cult Comebacks, where he talks to filmmakers about movies that may not have succeeded initially but have, over time, gained a cult following. The show aims to explore films as works of art, rather than merely commercial ventures designed to earn box office revenue.
Expertise & Focus Areas
Anas’s expertise lies in his ability to deconstruct cinematic works beyond surface-level reviews. His focus areas include:

Auteur Studies: Detailed retrospectives and analyses of filmmakers such as Imtiaz Ali, Anurag Kashyap, and Neeraj Ghaywan, often exploring their central philosophies and creative evolutions.
Cinematic Deconstruction: Examining technical and narrative choices, such as the use of aspect ratios in independent films (Sabar Bonda) or the structural rhythm of iconic soundtracks (Dilwale Dulhania Le Jayenge).
Industrial & Social Ethics: Fearless critique of commercial blockbusters, particularly regarding the promotion of bigoted visions or the marginalization of communities in mainstream scripts.
Exclusive Long-form Interviews: Conducting high-level dialogues with actors and creators to uncover archival anecdotes and future-looking industry insights.

Authoritativeness & Trust
Anas Arif has established himself as a trusted voice by consistently moving away from standard PR-driven journalism. Whether he is interrogating the “mythology of Shah Rukh Khan” in modern sequels or providing a space for independent filmmakers to discuss the “arithmetic of karma,” his work is rooted in objectivity and extensive research. Readers look to Anas for an educated viewpoint that treats entertainment not just as a commodity, but as a critical reflection of the country’s collective conscience. … Read More

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