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Ustaad Bhagat Singh box office collection Day 10: Pawan Kalyan’s film nosedives, fails to cross Rs 1 crore on 2nd Saturday | Telugu News

3 min readMumbaiMar 29, 2026 10:23 AM IST

Ustaad Bhagat Singh box office collection Day 10: Last week at the movies saw two major titles from different film industries clash at the box office. On one hand was Aditya Dhar’s highly anticipated Dhurandhar 2, and on the other, the equally awaited Pawan Kalyan-starrer Ustaad Bhagat Singh. While the former has gone on to break several records, the response to Ustaad Bhagat Singh has been mixed. After a decent opening, the film’s collections have steadily declined, slipping into single-digit figures at the ticket window. By Day 10, as the film entered its second week, industry tracker Sacnilk reported that it earned just Rs 86 lakhs. This took its total India net collection to Rs 68.91 crore, with gross collections reaching Rs 81.02 crore.

The film was screened across 1,101 shows on its tenth day, recording an overall occupancy of just 25.21 percent despite the holiday. Morning shows began with an occupancy of 11.82 percent, which rose to 26.91 percent in the afternoon. However, the numbers dipped again in the evening to 23.18 percent and further declined to 23 percent during night shows. Regionally, Hyderabad accounted for the highest number of shows at 136 and recorded an occupancy of 33 percent. Overseas, the film has grossed Rs 11.60 crore, taking its worldwide gross collection to Rs 92.62 crore.

Also Read | Dhurandhar 2: Aditya Dhar genuflects and the story sinks into subservience


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In comparison, Ustaad Bhagat Singh is lagging behind Pawan Kalyan’s previous hit They Call Him OG, which had collected Rs 178.65 crore net by its tenth day. It also trails behind his earlier release Hari Hara Veera Mallu, which had earned Rs 82.55 crore in the same timeframe. In contrast, Dhurandhar 2, starring Ranveer Singh, has amassed a massive net collection of Rs 778.77 crore so far, making comparisons largely redundant.

Ustaad Bhagat Singh director lauds Dhurandhar 2

Recently, in a conversation with 123 Telugu, director Harish Shankar praised Dhurandhar 2, saying, “I touched upon patriotism in Ustaad Bhagat Singh, and the same has been explored in a full-fledged manner in Dhurandhar 2. When someone makes a film with my ideology and a concept I like, and raises the bar even higher, it gives me immense happiness.”

He also addressed the film’s reception during a fan interaction session, where he spoke about the criticism it has received. He said, “Trollers are more than free to troll anything. I take constructive criticism. Like, ‘the scene was not very well written’ or ‘it could have been written much better,’ ‘the first half was a little slow’… I will take the constructive criticism and I don’t think of taking the troll material seriously because their identity and their whereabouts are not known. They themselves are too insecure to reveal their identity.”

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Anas Arif is a prolific Entertainment Journalist and Cinematic Analyst at The Indian Express, where he specializes in the intersection of Indian pop culture, auteur-driven cinema, and industrial ethics. His writing is defined by a deep-seated commitment to documenting the evolving landscape of Indian entertainment through the lens of critical theory and narrative authorship.
Experience & Career
As a core member of The Indian Express entertainment vertical, Anas has cultivated a unique beat that prioritizes the “craft behind the celebrity.” He has interviewed a vast spectrum of industry veterans, from blockbuster directors like Vijay Krishna Acharya, Sujoy Ghosh, Maneesh Sharma to experimental filmmakers and screenwriters like Anurag Kashyap, Vikramaditya Motwane, Varun Grover, Rajat Kapoor amongst several others. His career is characterized by a “Journalism of Courage” approach, where he frequently tackles the ethical implications of mainstream cinema and the socio-political subtext within popular media. He is also the host of the YouTube series Cult Comebacks, where he talks to filmmakers about movies that may not have succeeded initially but have, over time, gained a cult following. The show aims to explore films as works of art, rather than merely commercial ventures designed to earn box office revenue.
Expertise & Focus Areas
Anas’s expertise lies in his ability to deconstruct cinematic works beyond surface-level reviews. His focus areas include:

Auteur Studies: Detailed retrospectives and analyses of filmmakers such as Imtiaz Ali, Anurag Kashyap, and Neeraj Ghaywan, often exploring their central philosophies and creative evolutions.
Cinematic Deconstruction: Examining technical and narrative choices, such as the use of aspect ratios in independent films (Sabar Bonda) or the structural rhythm of iconic soundtracks (Dilwale Dulhania Le Jayenge).
Industrial & Social Ethics: Fearless critique of commercial blockbusters, particularly regarding the promotion of bigoted visions or the marginalization of communities in mainstream scripts.
Exclusive Long-form Interviews: Conducting high-level dialogues with actors and creators to uncover archival anecdotes and future-looking industry insights.

Authoritativeness & Trust
Anas Arif has established himself as a trusted voice by consistently moving away from standard PR-driven journalism. Whether he is interrogating the “mythology of Shah Rukh Khan” in modern sequels or providing a space for independent filmmakers to discuss the “arithmetic of karma,” his work is rooted in objectivity and extensive research. Readers look to Anas for an educated viewpoint that treats entertainment not just as a commodity, but as a critical reflection of the country’s collective conscience. … Read More

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