Entertainment

Sunny Leone on her protective, ‘mama bear’ bond with Anurag Kashyap

3 min readMumbaiFeb 18, 2026 05:31 PM IST

Kennedy, directed by Anurag Kashyap, is finally set for release this Friday on Zee-5, nearly three years after its world premiere at the Cannes Film Festival. The film can be read as an exploration of existential crisis, centered on a hitman navigating a deeply personal and morally fractured terrain. It features a powerful lead performance by Rahul Bhatt, alongside an equally surreal turn by Sunny Leone, who plays the mysterious and emotionally troubled Charlie. Ever since it was announced that Kashyap would be teaming up with Sunny, the project generated significant buzz. Many were curious to see what kind of performance the acclaimed auteur would draw from her.

In an exclusive conversation with SCREEN, the actress opened up about the process and the pressure she felt working with such a renowned filmmaker. “First of all, I was extremely nervous. I wanted to do a good job and make him proud, make him feel like it was the correct decision, the right choice to choose me. We had workshops, we had readings, and Anurag just makes you feel so comfortable by the time you’re on set that it wasn’t so difficult. And there were a lot of things, I was making up stories in my own mind about the character because I didn’t get the whole script. I only got my scenes, so I created my own little backstory. And I’m sure it was just as messed up as Charlie’s real backstory.”

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In the same conversation, Sunny also revealed how, over time, she and Kashyap formed an intimate and trusting bond. She spoke about growing protectiveness she felt towards him, almost like a sister figure. “You know, there are certain moments where I look at him and I think he’s like Superman, someone so loved within the film fraternity, someone you only wish you could work with. And then some of our conversations were so human and so personal that I’d find myself going, ‘What’s happening? Are you okay? What’s going on?’ I’m naturally a fixer, a bit of a mama bear, because I have three kids, a dog, a bunch of fish, and a husband. There are so many things you want to nurture, and that’s just my nature.”

Also Read: Anurag Kashyap had two heart attacks, went to rehab thrice after Netflix’s ‘miscarriage’ of Maximum City

Watch the interview with the cast of Kennedy here:

She further added: “With him, you might look at him and have one perception, but he’s actually just a gigantic teddy bear, someone you want to squish, hug, keep safe, keep away from all the negativity and just nurture him.”

Anas Arif is a prolific Entertainment Journalist and Cinematic Analyst at The Indian Express, where he specializes in the intersection of Indian pop culture, auteur-driven cinema, and industrial ethics. His writing is defined by a deep-seated commitment to documenting the evolving landscape of Indian entertainment through the lens of critical theory and narrative authorship.
Experience & Career
As a core member of The Indian Express entertainment vertical, Anas has cultivated a unique beat that prioritizes the “craft behind the celebrity.” He has interviewed a vast spectrum of industry veterans, from blockbuster directors like Vijay Krishna Acharya, Sujoy Ghosh, Maneesh Sharma to experimental filmmakers and screenwriters like Anurag Kashyap, Vikramaditya Motwane, Varun Grover, Rajat Kapoor amongst several others. His career is characterized by a “Journalism of Courage” approach, where he frequently tackles the ethical implications of mainstream cinema and the socio-political subtext within popular media. He is also the host of the YouTube series Cult Comebacks, where he talks to filmmakers about movies that may not have succeeded initially but have, over time, gained a cult following. The show aims to explore films as works of art, rather than merely commercial ventures designed to earn box office revenue.
Expertise & Focus Areas
Anas’s expertise lies in his ability to deconstruct cinematic works beyond surface-level reviews. His focus areas include:

Auteur Studies: Detailed retrospectives and analyses of filmmakers such as Imtiaz Ali, Anurag Kashyap, and Neeraj Ghaywan, often exploring their central philosophies and creative evolutions.
Cinematic Deconstruction: Examining technical and narrative choices, such as the use of aspect ratios in independent films (Sabar Bonda) or the structural rhythm of iconic soundtracks (Dilwale Dulhania Le Jayenge).
Industrial & Social Ethics: Fearless critique of commercial blockbusters, particularly regarding the promotion of bigoted visions or the marginalization of communities in mainstream scripts.
Exclusive Long-form Interviews: Conducting high-level dialogues with actors and creators to uncover archival anecdotes and future-looking industry insights.

Authoritativeness & Trust
Anas Arif has established himself as a trusted voice by consistently moving away from standard PR-driven journalism. Whether he is interrogating the “mythology of Shah Rukh Khan” in modern sequels or providing a space for independent filmmakers to discuss the “arithmetic of karma,” his work is rooted in objectivity and extensive research. Readers look to Anas for an educated viewpoint that treats entertainment not just as a commodity, but as a critical reflection of the country’s collective conscience. … Read More

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